Author: Andrea Kuhn
Gone
Gone 4 petits tours et puis s’en vont International Forum 2023 Short Film Programme 2 COUNTRIES: Algeria, France YEAR: 2021 RUNTIME: 16 min DIRECTED BY: Salima Abada LANGUAGE(S): Arabic CAST: […]
Accreditation
Ab sofort können Fachbesucher*innen ihre Akkreditierung für das 13. Internationale Nürnberger Filmfestival der Menschenrechte beantragen.
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Thousand Girls Like Me, A
A Thousand Girls Like Me DIRECTOR: Sahra Mani COUNTRIES: France, Afghanistan YEAR: 2018 LANGUAGE: Farsi SUBTITLES: English RUNNING TIME: 80 min SECTION: International Forum 2019
Hava, Maryam, Ayesha
HAVA, MARYAM, AYESHA DIRECTOR: Sahraa Karimi COUNTRY: Afghanistan YEAR: 2019 LANGUAGE: dari SUBTITLES: German RUNNING TIME: 86 min SCREENING AND Q&A WITH DIRECTOR SAHRAA KARIMI SYNOPSISThree Afghan women from different […]
Marlene Streeruwitz reads and discusses!
Mit Marlene Streeruwitz kommt nicht nur eine der bedeutendsten deutschsprachigen Autorinnen der Gegenwart zu uns, sondern auch eine der politisch engagiertesten. Sie wird in der Tafelhalle ihren neuen Roman FLAMMENWAND vorstellen und mit Festivalleiterin Andrea Kuhn über die Möglichkeiten, Grenzen und Praxis politischer Kunst sprechen.
Brazil: Democracy on the brink – A Talk with Bruno Bimbi
← back to accompanying programme 2019 Brazil: Democracy on the Brink – A Talk with Bruno Bimbi Fri., 04.10., 8 pm, 2. OG Kopfbau Moderator: Moritz Krawinkel, Latin America consultant […]
ORCHID Queer Karaoke Night – Festival Party!
← back to accompanying programme 2019 ORCHID Queer Karaoke Night – Festival Party! Fri., 4.10., from 9 pm, Kantine Admission free (donation welcome, we will put a small box at […]
Queer Faces Migrant Voices
← back to accompanying programme 2019 Queer Faces Migrant Voices Queer refugees report. Sat. 5 October, 5 pm, Festival Lounge – admission free
Panel discussion „Cinema and Censorship”
← back to accompanying programme 2017 Panel “Cinema and Censorship” Art has always been political, holding a mirror to society and to those in power, questioning dogma and requiring authenticity. […]