{"id":6077,"date":"2019-09-17T08:34:13","date_gmt":"2019-09-17T06:34:13","guid":{"rendered":"http:\/\/en.nihrff.de\/6072-revision-v1\/"},"modified":"2024-07-01T16:14:48","modified_gmt":"2024-07-01T14:14:48","slug":"films-2019-whats-the-damage","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2019-whats-the-damage\/","title":{"rendered":"What&#8217;s the Damage"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/441257_01.jpg\" alt=\"\" class=\"wp-image-6568\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/441257_01.jpg 1000w, https:\/\/www.nihrff.de\/wp-content\/uploads\/441257_01-400x225.jpg 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/441257_01-300x169.jpg 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/441257_01-768x432.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">What&#8217;s the Damage<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTOR(S): <\/strong>Heather Phillipson\u00a0\u00a0 <strong>COUNTRY: <\/strong>United Kingdom\u00a0\u00a0 <strong>YEAR: <\/strong>2018\u00a0\u00a0 <strong>LANGUAGE(S): <\/strong>English\u00a0\u00a0 <strong>SUBTITLES: <\/strong>German\u00a0\u00a0 <strong>RUNNING TIME: <\/strong>7 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECTION: <\/strong><a href=\"https:\/\/www.nihrff.de\/en\/2019-international-forum\">International Forum 2019<\/a><\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCREENINGS <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Saturday, 05.10., 9.30 pm, kommkino<br>Monday, 07.10., 9.15 pm, kinoeins<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">WHAT\u2019S THE DAMAGE is a proposition and provocation, answering back to ongoing crises under white patriarchy, relaying and augmenting feelings and gestures of chronic unease, protest and dissent. Phillipson\u2019s summons and riposte storms in via menstrual blood, rising up against leadership circle-jerks, weeping vortexes, seared orang utans, animal-fat banknotes, and advancing supermoons, pizzas and drones.<strong><br><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Director&#8217;s statement<br><\/strong>This video was made shortly after the USA Presidential Elections in which Donald Trump came to power, which followed on from the UK Brexit vote to leave Europe. I felt alive in a state of emergency and my work likewise. I couldn&#8217;t &#8211; didn&#8217;t want to &#8211; ignore it. But how is it possible to go on &#8211; to continue to make &#8211; in this context? What alternatives &#8211; critical position\/s, hope &#8211; could I propose? What if strength were formed not from (predominantly white) patriarchal dominion but from collective waste, bodily uprising, protest by the most fundamental means (voices and excretions)?<br>Everything in this video &#8211; soundtrack, images, words, recordings &#8211; is made solo &#8211; in my studio, on my computer, without a budget. It is a form of collage, composed of cultural detritus. I made it expediently, and with a sense of urgency.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HEATHER PHILLIPSON<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\">Heather Phillipson is an award-winning poet who also works on video, sculpture, music and drawing. Her work has been exhibited across the world and she has published three volumes of poetry. She was named a Next Generation Poet in 2015, received Poetry magazine\u2019s Friends of Literature prize and the Film London Jarman Award. <\/span>She also writes a regular column for ArtReview magazine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span style=\"mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: black; mso-fareast-language: DE;\">What&#8217;s the Damage <\/span><\/em><span style=\"mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: black; mso-fareast-language: DE;\">(2017), <em>Violence <\/em>(2017)<\/span><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCER: <\/strong>Heather Phillipson\u00a0\u00a0 <strong>EDITOR: <\/strong>Heather Phillipson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WEBSITE<\/strong><br><a href=\"https:\/\/www.heatherphillipson.co.uk\/\" target=\"_NEW\" rel=\"noopener noreferrer\">https:\/\/www.heatherphillipson.co.uk\/<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div id=\"gutenslider-ij0w4zjr0\" class=\"wp-block-eedee-block-gutenslider gs-frontend content-change alignnone arrow-style-1 arrow-position-sides arrow-mb-none arrows-lg arrows-md arrows-sm dot-style-1 dots-lg dots-md dots-sm dot-position-bottom is-position-center-center mb-none wrap-auto-height\" data-parallax-direction=\"down\" data-parallax-amount=\"1.3\" data-lg-transition=\"lg-slide\" data-hash=\"\" ><div class=\"eedee-swiper-outer\" style=\"--gutenslider-min-height: 60vh;--gutenslider-arrow-size: 30px;--gutenslider-dot-size: 25px;--gutenslider-arrow-color: #ffffff;--gutenslider-dot-color: #ffffff;--gutenslider-padding-y-mobile: 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