{"id":6032,"date":"2019-09-17T08:30:37","date_gmt":"2019-09-17T06:30:37","guid":{"rendered":"http:\/\/en.nihrff.de\/6027-revision-v1\/"},"modified":"2024-06-26T13:16:42","modified_gmt":"2024-06-26T11:16:42","slug":"films-2019-favela-frontlines","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2019-favela-frontlines\/","title":{"rendered":"Favela Frontlines"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/441014_01.jpg\" alt=\"\" class=\"wp-image-6938\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/441014_01.jpg 1000w, https:\/\/www.nihrff.de\/wp-content\/uploads\/441014_01-400x225.jpg 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/441014_01-300x169.jpg 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/441014_01-768x432.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Favela Frontlines<\/h3>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Relatos do Front<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTOR(S): <\/strong>Renato Martins\u00a0\u00a0 <strong>COUNTRY: <\/strong>Brazil\u00a0\u00a0 <strong>YEAR: <\/strong>2018\u00a0\u00a0 <strong>LANGUAGE(S): <\/strong>Portuguese, English\u00a0\u00a0 <strong>SUBTITLES: <\/strong>German, English\u00a0\u00a0 <strong>RUNNING TIME: <\/strong>103 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECTION: <\/strong><a href=\"https:\/\/www.nihrff.de\/en\/2019-international-forum\">International Forum 2019<\/a><\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCREENINGS <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Friday, 04.10., 6.00 pm, kommkino, <a href=\"https:\/\/www.nihrff.de\/en\/brazil-demokracy-on-the-brink-a-talk-with-bruno-bimbi\/\">panel discussion<\/a> afterwards<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There are no winners in the war that is being fought between the favela&#8217;s drugs smugglers and the police forces in Rio de Janeiro. In the first scene, the camera crew is in the middle of a crossfire between the two sides of the drug war taking place in Rio. Through personal stories from both sides of the conflict, we reach deep into the violent conflict, which has cost many lives in the Brazilian megapolis. Every year, 60,000 murders are committed, and on average one police officer is killed every other day. Many inhabitants of Rio de Janeiro consider being a policeman as a certain road to death, while drug traffickers claim that the conflict is due to police brutality and trigger-happy officers who regard murder as a form of self-defense.<br>Journalists, historians and judges give us an insight into the structural causes behind a situation where everyone is a loser &#8211; not least the survivors. Renato Marten&#8217;s investigative film digs a few levels deeper into the brutal conflict, where the country&#8217;s traumatic past with slavery and military dictatorship still haunts the present day.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>RENATO MARTINS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Renato Martins\u00a0is a director, editor and producer,\u00a0has\u00a0a degree in Social Communication\u00a0and\u00a0is a\u00a0founding partner of\u00a0the production company\u00a0Jacqueline Filmes.\u00a0Renato\u00a0has directed two prize-winning feature films in Brazil and abroad: <em>Geraldinos<\/em> and\u00a0<em>A Letter to the Future<\/em>.\u00a0Some of\u00a0his main works as\u00a0a film editor\u00a0are: <em>Elite Squad 2<\/em>, \u00a0<em>Democracy in Black and White, How much Time does Time have.<\/em>\u00a0His third documentary <em>Favelas Frontline<\/em> premiered at the Rio de Janeiro International Film Festival in 2018. Martins is currently developing his first fiction feature\u00a0<em>Sugar Cane.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><span lang=\"EN-US\" style=\"mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: EN-US; mso-fareast-language: DE;\">Atrocidades Maravilhosas<\/span><\/em><span lang=\"EN-US\" style=\"mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: EN-US; mso-fareast-language: DE;\"> (2001), <em>O Meu Odioso e Inacredit\u00e1vel Noivo <\/em>(2006), <em>A bela e o Mestre<\/em> (2007), <em>Funda\u00e7\u00e3o Calouste Gulbenkian<\/em> (2007), <em>A Letter to the Future (<\/em>2011), <em>Geraldinos <\/em>(2015), <em>Favela Frontlines <\/em>(2018) <\/span><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCRIPT: <\/strong>Gabriel Pardal, Renato Martins, Sergio Barata&nbsp;&nbsp; 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