{"id":31093,"date":"2025-09-25T13:27:06","date_gmt":"2025-09-25T11:27:06","guid":{"rendered":"https:\/\/www.nihrff.de\/?p=31093"},"modified":"2025-09-30T19:56:22","modified_gmt":"2025-09-30T17:56:22","slug":"2025-tales-of-oblivion","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/2025-tales-of-oblivion\/","title":{"rendered":"Tales of Oblivion"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\"><div id=\"gutenslider-5vxle5nn8\" class=\"wp-block-eedee-block-gutenslider gs-frontend content-change alignfull arrow-style-1 arrow-position-sides arrow-mb-none arrows-lg arrows-md arrows-sm dot-style-1 dots-lg-none dots-md-none dots-sm-none dot-position-bottom is-position-center-center mb-none wrap-auto-height\" data-parallax-direction=\"down\" data-parallax-amount=\"1.3\" data-lg-transition=\"lg-slide\" data-hash=\"\" ><div class=\"eedee-swiper-outer\" 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data-title=\"TALES_OF_OBLIVION_Poster_webseite\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Poster_webseite-722x1024.webp 722w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Poster_webseite-scaled-400x567.webp 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Poster_webseite-212x300.webp 212w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Poster_webseite-768x1089.webp 768w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Poster_webseite-50x71.webp 50w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Poster_webseite-1600x2269.webp 1600w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Poster_webseite-1083x1536.webp 1083w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Poster_webseite-1444x2048.webp 1444w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Poster_webseite-scaled.webp 1805w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><div class=\"eedee-background-div__overlay\" style=\"opacity:1;\"><\/div><\/div><div class=\"slide-content\">\n\n<p class=\"has-text-align-center gutenslider-content-initial has-larger-font-size wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n<\/div><\/div><button class=\"eedee-gutenslider-nav eedee-gutenslider-prev\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\"><circle class=\"bg\" cx=\"13\" cy=\"12\" r=\"11\" \/><path fill=\"none\" d=\"M0 0h24v24H0z\"\/><path class=\"arrow\" d=\"M10.828 12l4.95 4.95-1.414 1.414L8 12l6.364-6.364 1.414 1.414z\"\/><\/svg><\/button><button class=\"eedee-gutenslider-nav eedee-gutenslider-next\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\"><circle class=\"bg\" cx=\"11\" cy=\"12\" r=\"11\" \/><path fill=\"none\" d=\"M0 0h24v24H0z\"\/><path class=\"arrow\" d=\"M13.172 12l-4.95-4.95 1.414-1.414L16 12l-6.364 6.364-1.414-1.414z\"\/><\/svg><\/button><div class=\"eedee-gutenslider-pagination\"><\/div><div class=\"gutenslider-divider-bottom \" style=\"color:#fff;\"><\/div><\/div><\/div>\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-primary-color has-text-color\">Tales of Oblivion<\/h2>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Contos do esquecimento<\/h3>\n\n\n\n<div style=\"height:6px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/www.nihrff.de\/en\/2025-forum\/\">International Forum 2025<\/a><\/p>\n<\/div>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>COUNTRY:<\/strong> Portugal <strong>YEAR:<\/strong> 2023 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>RUNNING TIME:<\/strong> 63 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTED BY:<\/strong> Dulce Fernandes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LANGUAGE(S):<\/strong> Portuguese<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SUBTITLES:<\/strong> English<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>PRODUCER:<\/strong> Pandora Da Cunha Telles<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WRITTEN BY:<\/strong> Dulce Fernandes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EDITED BY:<\/strong> M\u00e1rio Espada<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CINEMATOGRAPHY:<\/strong> Paulo Menezes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MUSIC:<\/strong> Xullaji<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading has-text-align-center has-primary-color has-text-color\"><strong>Screenings<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-4927ffd3 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/booking.cinetixx.de\/frontend\/#\/show\/1604033302\/3319517286\">16.10., 8:30 pm, kinoeins, with Introduction and Q&amp;A | Tickets<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Introduction by Dr. Michael Kraus, Georg-August University G\u00f6ttingen<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Q&amp;A with director Dulce Fernandes<\/p>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading has-text-align-center has-primary-color has-text-color\"><strong>Synopsis<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">On a hot summer morning in 1444, in the fishing village of Lagos, southern Portugal, a group of African people was disembarked. In the field next to the port, they were given away as slaves to the local noblemen and merchants. For the next 400 years, more than six million Africans would be trafficked in Portuguese ships to Europe and across the Atlantic. <br>On a rainy winter afternoon in 2009, in Lagos, archeologists excavating the site where an underground parking was under construction, began to find human skeletons. Working on the site for the following five months, as the parking was being built around them, the archeologists uncovered the skeletons of 158 enslaved African men, women, and children. Their bodies had been dumped in a XV-century landfill. <br>Intertwining these two storylines, TALES OF OBLIVION threads tales of violence and brutality from the past with sights and sounds of the present. Evoking what took place in these sites and conjuring memories from the past, TALES OF OBLIVION is a film-territory where we have no choice but to look at how the present continues to be shaped by the history we carry within us.       <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Contos do Esquecimento | Tales of Oblivion - Trailer (2023)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/f3GlT59-Q8c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading has-text-align-center\">Director<\/h4>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Regie_Dulce_Fernandes02_webseite.webp\" alt=\"\" class=\"wp-image-29711\" style=\"aspect-ratio:1;object-fit:cover\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Regie_Dulce_Fernandes02_webseite.webp 640w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Regie_Dulce_Fernandes02_webseite-400x400.webp 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Regie_Dulce_Fernandes02_webseite-100x100.webp 100w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Regie_Dulce_Fernandes02_webseite-300x300.webp 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Regie_Dulce_Fernandes02_webseite-150x150.webp 150w, https:\/\/www.nihrff.de\/wp-content\/uploads\/TALES_OF_OBLIVION_Regie_Dulce_Fernandes02_webseite-50x50.webp 50w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong>Dulce Fernandes<\/strong><\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Biography<\/summary>\n<p class=\"wp-block-paragraph\">Dulce Fernandes was born in what was then the Portuguese colony of Angola and divides her time between New York and Lisbon. She studied photography at Ar.Co in Lisbon, film at the School of the Art Institute of Chicago and at the International School of Film and Television in Cuba, as well as international relations in Lisbon and New York. Her debut film LETTERS FROM ANGOLA has been shown at international festivals and has received multiple awards. Her film has been nominated for the Portuguese national film award Pr\u00e9mios Sophia.   <\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Filmography<\/summary>\n<p class=\"wp-block-paragraph\">Letters from Angola (2011), Tales of Oblivion (2023)<\/p>\n<\/details>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>Links \/Contacts<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>WEBSITE:<\/strong> <a href=\"https:\/\/madamefilmes.pt\/pt\/films\/tales-of-oblivion\/\">https:\/\/madamefilmes.pt\/pt\/films\/tales-of-oblivion\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>INSTAGRAM:<\/strong> <a href=\"https:\/\/www.instagram.com\/tales_of_oblivion?utm_source=ig_web_button_share_sheet&amp;igsh=bmpsNGxvaGRvdjJu\">@tales_of_oblivion<\/a> <a href=\"https:\/\/www.instagram.com\/dulce_brooklyn_lisboa?utm_source=ig_web_button_share_sheet&amp;igsh=ajlnZ3c5N3JicHdy\">@dulce_brooklyn_lisboa<\/a> <a href=\"https:\/\/www.instagram.com\/madame_filmes?utm_source=ig_web_button_share_sheet&amp;igsh=dDJxM20wMHlpaTl6\">@madame_filmes<\/a> <a href=\"https:\/\/www.instagram.com\/kintop.films?utm_source=ig_web_button_share_sheet&amp;igsh=bTM5NTQ5anNodHNk\">@kintop.films <\/a><a href=\"https:\/\/www.instagram.com\/ukbarfilmes?utm_source=ig_web_button_share_sheet&amp;igsh=YXo1ZXp3ZW5jam1u\">@ukbarfilmes<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>PRODUCTION:<\/strong> Ukbar Filmes, Kintop<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WORLD SALES:<\/strong> Cl\u00e1udia Rita Oliveira, Madame Filmes<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contos do esquecimento, Portugal 2023, Language(s): Portuguese, Subtitles: English, 63 min, Directed by: Dulce Fernandes<br \/>International Forum<\/p>\n","protected":false},"author":18,"featured_media":29720,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[405,407],"tags":[381,107,454,453],"class_list":["post-31093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filme-2025","category-films-2025","tag-2025-en","tag-international-forum-en","tag-international-forum-en-2","tag-omeu-en"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/31093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=31093"}],"version-history":[{"count":6,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/31093\/revisions"}],"predecessor-version":[{"id":32693,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/31093\/revisions\/32693"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media\/29720"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=31093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=31093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=31093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}