{"id":28464,"date":"2015-09-25T09:08:20","date_gmt":"2015-09-25T07:08:20","guid":{"rendered":"https:\/\/www.nihrff.de\/filme-2015-white-out-black-in\/"},"modified":"2024-12-20T14:04:44","modified_gmt":"2024-12-20T13:04:44","slug":"films-2015-white-out-black-in","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2015-white-out-black-in\/","title":{"rendered":"White Out, Black In"},"content":{"rendered":"<figure class=\"wp-block-post-featured-image\"><img decoding=\"async\" width=\"1600\" height=\"900\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/W9-White-Out-Black-In-01.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"aspect-ratio:16\/9;width:100%;object-fit:cover;\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/W9-White-Out-Black-In-01.jpg 1600w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W9-White-Out-Black-In-01-400x225.jpg 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W9-White-Out-Black-In-01-300x169.jpg 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W9-White-Out-Black-In-01-1024x576.jpg 1024w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W9-White-Out-Black-In-01-768x432.jpg 768w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W9-White-Out-Black-In-01-50x28.jpg 50w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W9-White-Out-Black-In-01-1536x864.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">White Out, Black In<\/h3>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Branco sai, preto fica<\/h4>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTOR: <\/strong>Adirley Queir\u00f3s\u00a0\u00a0<strong>COUNTRY: <\/strong>Brazil\u00a0\u00a0 <strong>YEAR: <\/strong>2014\u00a0\u00a0 <strong>LANGUAGE(S): <\/strong>Portuguese <strong>SUBTITLES: <\/strong>German <strong>RUNNING TIME: <\/strong>93 min\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECTION:<\/strong> <a href=\"https:\/\/www.nihrff.de\/en\/2015-international-competition\">International Competition 2015<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p class=\"Stand--Fett para-style-override-10 wp-block-paragraph\">In this film based on a true story, director Adirley Queir\u00f3s mixes documentary, science fiction and music and explodes all three of the familiar genres. WHITE OUT, BLACK IN is an unbelievably apocalyptic vision of a country shaped by racism and police violence.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An agent travels from the year 2073 to the present to examine Brazil\u2019s destructive social development. He lands in Ceil\u00e2ndia, a satellite city of Brasilia. He meets the former musician Marquim and ex-dancer Sartana. Both are Afro-Brazilians and both have had to live with physical and mental injuries since a racially-motivated police attack on them in a club in 1986.<\/p>\n\n\n\n<p class=\"Standard wp-block-paragraph\">What could have become another treatise on the consequences of police violence against the poor in Brazil is given a completely different garb by Queir\u00f3s who creates an innovative and enthralling narrative cinematic form. He uses the inhospitable corrugated metal huts of the favelas of Ceil\u00e2ndia as his setting for a dystopian apocalyptic film and seamlessly combines elements of sci-fi with those of documentary. The rhythms of traditional Forr\u00f3 and Baile music and electro beats provide the soundtrack for the audience\u2019s journey through life with the protagonists and their being sucked into a scenario of the future that is closer than one would like to think.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p><iframe loading=\"lazy\" title=\"Vimeo trailler Branco Sai Preto Fica(White out Black in)-QuickTime H.264\" src=\"https:\/\/player.vimeo.com\/video\/103928871?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ADIRLEY QUEIR\u00d3S<\/strong><br>Adirley Queir\u00f3s was born in Ceil\u00e2ndia, Brazil. He was a professional soccer player until a major injury at the age of 25. When he was 28, he enrolled at the University of Brasilia for Communication Studies with a focus on film. His first short film RAP, O CANTO DA CEIL\u00c2NDIA was also his degree thesis and won several prizes. His IS THE CITY ONE ONLY? and WHITE OUT, BLACK IN have already received several awards at important Brazilian film festivals. WHITE OUT, BLACK IN is his fifth film.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong><br>Rap, o canto da Ceil\u00e2ndia (2005), Dias de greve (2009), Out of Green (2010), Is the City One Only? (2011), White out, Black in (2014)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCRIPT: <\/strong>Adirley Queir\u00f3s\u00a0\u00a0 <strong>PRODUCERS: <\/strong>Denise Vieira, Simone Gon\u00e7alves, Adirley Queir\u00f3s\u00a0\u00a0 <strong>CAMERA: <\/strong>Leonardo Feliciano\u00a0\u00a0 <strong>EDITORS: <\/strong>Guile Martins, Camila Machado\u00a0\u00a0 <strong>MUSIC: <\/strong>Marquim do Trop\u00e1\u00a0\u00a0 <strong>CAST: <\/strong>Marquim do Tropa, Shockito, Dilmar Dur\u00e3es<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCTION: <\/strong>Cinco Da Norte, Trotoar\u00a0\u00a0 <strong>WORLD SALES: <\/strong>Cinco Da Norte<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Branco sai, preto fica<\/p>\n<p>DIRECTOR: Adirley Queir\u00f3s\u00a0\u00a0COUNTRY: Brazil\u00a0\u00a0 YEAR: 2014\u00a0\u00a0 LANGUAGE(S): Portuguese SUBTITLES: German RUNNING TIME: 93 min\u00a0\u00a0<\/p>\n<p>SECTION: International Competition 2015<\/p>\n","protected":false},"author":1,"featured_media":28462,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[316,104,317,136],"tags":[363,106],"class_list":["post-28464","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filme-2015-en","category-films","category-films-2015","category-titel-anzeigen-en","tag-2015-en","tag-international-competition"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=28464"}],"version-history":[{"count":2,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28464\/revisions"}],"predecessor-version":[{"id":28467,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28464\/revisions\/28467"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media\/28462"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=28464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=28464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=28464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}