{"id":28212,"date":"2015-09-25T09:07:53","date_gmt":"2015-09-25T07:07:53","guid":{"rendered":"https:\/\/www.nihrff.de\/filme-2015-letters-to-max\/"},"modified":"2024-12-18T23:10:18","modified_gmt":"2024-12-18T22:10:18","slug":"films-2015-letters-to-max","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2015-letters-to-max\/","title":{"rendered":"Letters to Max"},"content":{"rendered":"\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Letters to Max<\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTOR: <\/strong>Eric Baudelaire\u00a0\u00a0 <strong>COUNTRY: <\/strong>France\u00a0\u00a0 <strong>YEAR: <\/strong>2014\u00a0\u00a0 <strong>LANGUAGE(S): <\/strong>English, Russian, Abkhazian\u00a0 <strong>SUBTITLES: <\/strong>English\u00a0\u00a0 <strong>L\u00c4NGE: <\/strong>103 min\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECTION: <\/strong><a href=\"https:\/\/www.nihrff.de\/en\/2015-international-forum\/\">International Forum 2015<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p class=\"Stand--Fett wp-block-paragraph\">The French artist and filmmaker Eric Baudelaire shows the paradoxical history of a country that doesn\u2019t really exist: Abkhazia. He uses 74 letters that he wrote to the former Foreign Minister of Abkhazia Maxim Gvinjia and the answers that came largely in the form of audio files as the basis of his film. The result is an impressive, poetic film essay about identity, the creation of states and bizarre everyday life in a non-country.<\/p>\n\n\n\n<p class=\"Standard wp-block-paragraph\">Twenty years ago, Abkhazia \u2013 which once was beautiful \u2013 declared independence from Georgia after a bloody civil war. It has all the usual organs and apparatus of a state and its own flag, but it is only partially recognized as a legal state. So the declining country, where the traces of war are omnipresent, exists in a kind of vacuum. In LETTERS TO MAX, Abkhazia\u2019s existence as a (non-)state becomes a touchstone for our parameters of statehood. Pictures of Abkhazia, the letters and Maxim Gvinjia\u2019s responses are juxtaposed to examine unanswered questions together.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p><iframe loading=\"lazy\" title=\"LETTERS TO MAX Trailer | Festival 2014\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1XkgoPGD7U4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ERIC BAUDELAIRE<\/strong><br>Eric Baudelaire, born in 1973, is a French filmmaker and artist. His first feature film THE ANABASIS OF MAY AND FUSAKO SHIGENOBU, MASAO ADACHI AND 27 YEARS WITHOUT IMAGES (2011) premiered at FIDMarseille and won the Special Jury Prize at DocLisboa. THE UGLY ONE (2013), which premiered at Locarno, was his first narrative feature \u2013 also made in collaboration with underground filmmaker and former Red Army militant Masao Adachi. Baudelaire\u2019s research-based practice also includes photography, printmaking and publications which have been shown in installations alongside his films in solo exhibitions at B\u00e9tonsalon in Paris, the Bergen Kunsthall, the Beirut Art Center, Gasworks in London, the Taipei Biennial 2012, and Berlin Documentary Forum 2.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong><\/p>\n\n\n\n<p class=\"Standard-ohne-Einzug wp-block-paragraph\">The Anabasis of May and Fusako Shigenobu, Maso Adachi and 27 Years Without Images (2011), The Ugly One (2013), Letters to Max (2014)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCER: <\/strong>Eric Baudelaire\u00a0\u00a0 <strong>CAMERA: <\/strong>Eric Baudelaire\u00a0\u00a0 <strong>EDITORS: <\/strong>Eric Baudelaire, Laure Vermeersch\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCTION: <\/strong>Poulet-Malassis\u00a0\u00a0 <strong>WORLD SALES: <\/strong>Poulet-Malassis\u00a0\u00a0<strong>GERMAN DISTRIBUTOR: <\/strong>Matt Carter<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DIRECTOR: Eric Baudelaire\u00a0\u00a0 COUNTRY: France\u00a0\u00a0 YEAR: 2014\u00a0\u00a0 LANGUAGE(S): English, Russian, Abkhazian\u00a0 SUBTITLES: English\u00a0\u00a0 L\u00c4NGE: 103 min\u00a0\u00a0<\/p>\n<p>SECTION: International Forum 2015<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[316,104,317,136],"tags":[107],"class_list":["post-28212","post","type-post","status-publish","format-standard","hentry","category-filme-2015-en","category-films","category-films-2015","category-titel-anzeigen-en","tag-international-forum-en"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=28212"}],"version-history":[{"count":1,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28212\/revisions"}],"predecessor-version":[{"id":28214,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28212\/revisions\/28214"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=28212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=28212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=28212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}