{"id":28175,"date":"2015-09-25T09:07:24","date_gmt":"2015-09-25T07:07:24","guid":{"rendered":"https:\/\/www.nihrff.de\/filme-2015-horse-money\/"},"modified":"2024-12-18T22:16:32","modified_gmt":"2024-12-18T21:16:32","slug":"films-2015-horse-money","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2015-horse-money\/","title":{"rendered":"Horse Money"},"content":{"rendered":"<figure style=\"aspect-ratio:16\/9\" class=\"wp-block-post-featured-image\"><img decoding=\"async\" width=\"2560\" height=\"1917\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-scaled.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-scaled.jpg 2560w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-scaled-400x300.jpg 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-300x225.jpg 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-1024x767.jpg 1024w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-768x575.jpg 768w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-50x37.jpg 50w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-1600x1198.jpg 1600w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-1536x1150.jpg 1536w, https:\/\/www.nihrff.de\/wp-content\/uploads\/W5-Horse-Money-01-2048x1534.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Horse Money<\/h3>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Cavalo Dinheiro<\/h4>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTOR: <\/strong>Pedro Costa\u00a0\u00a0 <strong>COUNTRY: <\/strong>Portugal\u00a0\u00a0 <strong>YEAR: <\/strong>2014\u00a0\u00a0 <strong>LANGUAGE(S): <\/strong>Portugese\u00a0\u00a0 <strong>SUBTITLES: <\/strong>English\u00a0\u00a0 <strong>RUNNING TIME: <\/strong>104 min\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECTION: <\/strong><a href=\"https:\/\/www.nihrff.de\/en\/2015-international-competition\">International Competition 2015<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p class=\"Stand--Fett para-style-override-10 wp-block-paragraph\">Ventura is in a psychiatric institution. In a breathtaking mixture of reality and hallucination, the comprehensible and the incomprehensible, fiction and documentary, light is shed upon Ventura\u2019s past. A complex cinematic journey with artistic and beautiful images reminiscent of classic painting show Ventura as the prisoner of his own mind and that of Portuguese history.<\/p>\n\n\n\n<p class=\"Standard para-style-override-10 wp-block-paragraph\">HORSE MONEY is a mixture of fiction and documentary in which its protagonist recreates real and imagined episodes of his life. In the very beginning of the film, director Pedro Costa juxtaposes photos by Jacob Riis of late 19th century New York with images of Ventura, a poor immigrant who has lived in Portugal for decades. This opening scene demonstrates that Costa\u2019s work examines a hidden underclass. Later, Ventura works his way through his place in Portuguese society. He is someone who was born on an island whose first inhabitants arrived via the Portuguese slave trade; he is a victim of constant poverty, whose situation has been exacerbated by Portugal\u2019s financial crisis, and he is also an eyewitness of the Carnation Revolution. Costa weaves all these episodes into a dream-like, fragmented masterpiece.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p><iframe loading=\"lazy\" title=\"8AAGFF2014: Trailer HORSE MONEY (2014, Pedro Costa) - Competition section\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/L8rQ98Oqils?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PEDRO COSTA<\/strong><br>Pedro Costa was born in Lisbon 1959 and is one of the most renowned filmmakers in Portugal. He studied History at the Lisbon University and Editing at Film School in Lisbon. Before he comple\u00adted his debut feature O SANGUE (1990) he directed a series of short films. IN VANDA\u2019s ROOM earned him the France Culture Award at Cannes, while the short THE RABBIT HUNTERS, his contribution to the Jeonju Digital Project, won the Silver Leopard at the Locarno Film Festival. His film CHANGE NOTHING was selected for the Director\u2019s Fortnight at the 2009 Cannes Film Festival. His latest film HORSE MONEY won the International Competition at Filmfest Munich in July 2015.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong><br>Das Blut (1989), O\u00f9 g\u00eet votre sourire enfoui? (2001), In Vandas Zimmer (2000), Jugend voran! (2006), The Rabbit Hunters (2007) Change Nothing (2009), Centro Hist\u00f3rico (2012), Horse Money (2014)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCRIPT: <\/strong>Pedro Costa\u00a0\u00a0 <strong>PRODUCER: <\/strong>Abel Ribeiro Chaves\u00a0\u00a0 <strong>CAMERA: <\/strong>Leornardo Sim\u00f5es\u00a0\u00a0 <strong>EDITOR: <\/strong>Jo\u00e3o Dias\u00a0\u00a0 <strong>MUSIC: <\/strong>Os Tubar\u00f5es<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCTION: <\/strong>OPTEC &#8211; Sociedade Optica Tecnica\u00a0\u00a0 <strong>WORLD SALES: <\/strong>OPTEC &#8211; Sociedade Optica Tecnica\u00a0\u00a0 <strong>GERMAN DISTRIBUTOR: <\/strong>Grandfilm<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cavalo Dinheiro<\/p>\n<p>DIRECTOR: Pedro Costa\u00a0\u00a0 COUNTRY: Portugal\u00a0\u00a0 YEAR: 2014\u00a0\u00a0 LANGUAGE(S): Portugese\u00a0\u00a0 SUBTITLES: English\u00a0\u00a0 RUNNING TIME: 104 min\u00a0\u00a0<\/p>\n<p>SECTION: International Competition 2015<\/p>\n","protected":false},"author":1,"featured_media":28243,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[316,104,317,136],"tags":[363,106],"class_list":["post-28175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filme-2015-en","category-films","category-films-2015","category-titel-anzeigen-en","tag-2015-en","tag-international-competition"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=28175"}],"version-history":[{"count":1,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28175\/revisions"}],"predecessor-version":[{"id":28177,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28175\/revisions\/28177"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media\/28243"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=28175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=28175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=28175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}