{"id":28011,"date":"2015-09-25T09:07:04","date_gmt":"2015-09-25T07:07:04","guid":{"rendered":"https:\/\/www.nihrff.de\/arabian-nights-vol-ii-the-desolate-one\/"},"modified":"2024-12-18T15:13:47","modified_gmt":"2024-12-18T14:13:47","slug":"films-2015-arabian-nights-vol-ii-the-desolate-one","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2015-arabian-nights-vol-ii-the-desolate-one\/","title":{"rendered":"Arabian Nights vol. II – The Desolate One"},"content":{"rendered":"
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Arabian Nights vol. II – The Desolate One<\/h3>\n\n\n\n

As 1001 Noites: O Desolado<\/h4>\n\n\n\n
<\/div>\n\n\n\n

DIRECTOR: <\/strong>Miguel Gomes   COUNTRIES: <\/strong>Portugal, France, Germany, Switzerland   YEAR: <\/strong>2015   LANGUAGE(S): <\/strong>Portugese   SUBTITLES:<\/strong> English   RUNNING TIME: <\/strong>131 min  <\/p>\n\n\n\n

SECTION: <\/strong>Previews at Cinecitt\u00e0 2015<\/a><\/p>\n\n\n\n\n\n\n\n

INHALT<\/strong><\/p>\n\n\n\n

In ARABIAN NIGHTS, the Portuguese director Miguel Gomes uses the structure of the famous \u201dOne Thousand and One Nights\u201c legends as the framework for a moving chronicle of the economic crisis and its impact on the Portuguese. His tragic, funny and fantastic stories of daily life in Portugal document the development of the country over a 12-month period.<\/p>\n\n\n\n

The film tells \u201cstories about the poor and the rich, the powerful and the unknown, children and elderly people, people and animals\u201d says Miguel Gomes. His fabulous analysis of society whose range of styles goes from the modern to the archaic, the poetic to the journalistic, is almost like a contemporary version of Pier Paolo Pasolini\u2019s experimental TRILOGY OF LIFE.<\/p>\n\n\n\n

The frequent return of the same actors in different roles and stories gives ARABIAN NIGHTS a baroque and theatrical dimension, that unites cinema and life, reality and artefact in a homogenous dynamic and lends the film a poetic elegance. This dizzying mix of genres is accompanied by the profound sounds of enchanting music.<\/p>\n\n\n\n

ARABIAN NIGHTS is made of three parts, each of which has its own tone. It premiered at Cannes in 2015.<\/p>\n\n\n\n

<\/div>\n\n\n\n

MIGUEL GOMES<\/strong><\/p>\n\n\n\n

Born in Lisbon in 1972, Miguel Gomes studied at the Lisbon Film and Theatre School and worked as a film critic for the Portuguese press between 1996 and 2000. He directed several short films, which were awarded in many different festivals all over the world. THE FACE YOU DESERVE (2004) was his first feature film. In
2008, he presented his film OUR BELOVED MONTH OF AUGUST in the Directors\u2019 Fortnight at the Cannes Film Festival. In 2012 he won the Alfred Bauer Award at Berlin Film Festival with TABU.<\/p>\n\n\n\n

FILMOGRAPHY<\/strong>
Meanwhile (1999), Christmas Inventory (2000), Kalkitos (2002), 31 (2003), Pre Evolution Soccer\u2019s One-Minute Dance After a Golden Goal in the Master League (2004), The Face you deserve (2004), C\u00e1ntico das criaturas (2006), Carnaval: \u00e0 procura de Paulo Moleiro (2008), Our Beloved Month of August (2008), Tabu \u2013 Eine Geschichte von Liebe und Schuld (2012), Redemption (2013), Arabian Nights (2015)<\/p>\n\n\n\n

<\/div>\n\n\n\n

SCRIPT: <\/strong>Miguel Gomes, Mariana Ricardo, Telmo Churro   PRODUCERS: <\/strong>Luis Urbano, Sandro Aguilar   CAMERA: <\/strong>Sayombhu Mukdeeprom   EDITORS: <\/strong>Telmo Churro, Pedro Marques, Miguel Gomes   MUSIC: <\/strong>Mariana Ricardo   CAST: <\/strong>Crista Alfaiate, Dinarte Branco, Carloto Cotta, Adriano Luz<\/p>\n\n\n\n

PRODUCTION: <\/strong>Box Productions, O Som e a F\u00faria, Shellac Sud   WORLD SALES: <\/strong>The Match Factory GmbH   GERMAN DISTRIBUTOR: <\/strong>Real Fiction Film<\/p>\n\n\n\n

<\/div>\n\n\n\n

WEBSITE<\/strong>
http:\/\/www.as1001noites.com\/en\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

As 1001 Noites: O Desolado<\/p>\n

DIRECTOR: Miguel Gomes\u00a0\u00a0 COUNTRIES: Portugal, France, Germany, Switzerland\u00a0\u00a0 YEAR: 2015\u00a0\u00a0 LANGUAGE(S): Portugese\u00a0\u00a0 SUBTITLES: English\u00a0\u00a0 RUNNING TIME: 131 min\u00a0\u00a0<\/p>\n

SECTION: Previews at Cinecitt\u00e0 2015<\/p>\n","protected":false},"author":1,"featured_media":28017,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[316,104,317,136],"tags":[363,105],"class_list":["post-28011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filme-2015-en","category-films","category-films-2015","category-titel-anzeigen-en","tag-2015-en","tag-previews-at-cinecitta"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=28011"}],"version-history":[{"count":3,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28011\/revisions"}],"predecessor-version":[{"id":28073,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/28011\/revisions\/28073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media\/28017"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=28011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=28011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=28011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}