{"id":26032,"date":"2017-09-13T15:56:51","date_gmt":"2017-09-13T13:56:51","guid":{"rendered":"https:\/\/www.nihrff.de\/filme-2017-headbang-lullaby\/"},"modified":"2024-07-16T16:37:36","modified_gmt":"2024-07-16T14:37:36","slug":"films-2017-headbang-lullaby","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2017-headbang-lullaby\/","title":{"rendered":"Headbang Lullaby"},"content":{"rendered":"<figure class=\"wp-block-post-featured-image\"><img decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/283400_01-1000x563.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"object-fit:cover;\" \/><\/figure>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Headbang Lullaby<\/h3>\n\n\n\n<div class=\"filmInfo02\"><strong>DIRECTOR: <\/strong>Hicham Lasri&nbsp;&nbsp; <strong>COUNTRIES: <\/strong>Morocco, France, Qatar, Lebanon&nbsp;&nbsp; <strong>YEAR: <\/strong>2017&nbsp;&nbsp; <strong>LANGUAGE(S): <\/strong>Arabic&nbsp;&nbsp; <strong>SUBTITLES: <\/strong>English&nbsp;&nbsp; <strong>RUNNING TIME: <\/strong>111 min&nbsp;&nbsp;<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECTION: <\/strong><a href=\"https:\/\/www.nihrff.de\/en\/2017-international-competition\/\">International Competition 2017<\/a><\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCREENINGS <\/strong><br>Sunday, 01.10., 8.00 p.m., kommkino, Q&amp;A with Jirari Benaissa<br>Monday, 02.10., 9.30 p.m., kommkino<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On 11th June 1986, Morocco\u2019s national football team caused a sensation. It became the first African team to qualify for the World Cup\u2019s round of 16, bringing a ray of hope during these &#8220;Years of Lead&#8221;, a period of political oppression. Against this backdrop, Hicham Lasri has made a work of pure rock and roll. Daoud is a jaded and traumatized cop who is given the task of guarding a bridge in the middle of nowhere on this day. A bridge under which the king may travel. \u201cEncounters with government supporters and the families of political prisoners; the mysterious appearance of a foreign woman and a Berber, as well as the story of a football crazy boy all prove to be a bit much for Daoud. Ever since the bloody \u2018bread riots\u2019 five years earlier, he has felt paralyzed. But the euphoria and the hope he encounters here help to lift his mood. The Moroccan team\u2019s success unleashes a new self-confidence and lust for life that transcends the surreal shadow of the monarchy.\u201d (Berlinale 2017, Panorama)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u0636\u0631\u0628\u0629 \u0641\u064a \u0627\u0644\u0631\u0623\u0633 - HEAdbANG LULLABY - TEASER\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CF75vzNJEos?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HICHAM LASRI<\/strong><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Born in Casablanca, Morocco in 1977, he studied economy and law then wrote theatre plays, novels and screenplays before turning to film. In 2011 he made his debut feature The End, about the last days of King Hassan, which was critically acclaimed. In They are the Dogs (2013) he drew parallels between the 2011 Arab Spring and the 1981 \u2018bread riots\u2019 in Morocco. The work on this film, produced by noted Moroccan director Nabil Ayouch, was supported by the Cannes Film Festival\u2019s ACID programme. His films The Sea is Behind and Starve your Dog and Headbang Lullaby screened in the Panorama section of Berlinale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong><br><em>The End<\/em> (2011), <em>They Are the Dogs<\/em> (2013), <em>The Sea is Behind<\/em> (2014), <em>Starve Your Dog<\/em> (2015), <em>Headbang Lullaby<\/em> (2017)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"filmInfo02\"><strong>SCRIPT: <\/strong>Hicham Lasri&nbsp;&nbsp; <strong>PRODUCERS: <\/strong>Thomas Guentch, Micka\u00ebl Clouet, Rita El Quessar&nbsp;&nbsp; <strong>CAMERA: <\/strong>Charles-Hubert Morin&nbsp;&nbsp; <strong>EDITOR: <\/strong>Mona-Lise Lanfant&nbsp;&nbsp; <strong>MUSIC: <\/strong>Wissam Hojeij&nbsp;&nbsp; <strong>CAST: <\/strong>Aziz Hattab (Daoud), Latefa Ahrrare (Rita), Zoubir Abou el Fadl (Lotfi)<\/div>\n\n\n\n<div class=\"filmInfo02\"><strong>PRODUCTION: <\/strong>Les Films de l&#8217;Heure Bleue, Pan Production&nbsp;&nbsp; <strong>WORLD SALES: <\/strong>Paul Thiltges, Paul Thiltges Distributions Sarl&nbsp;&nbsp;\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WEBSITE<\/strong><br><a href=\"http:\/\/ptd.lu\/headbang-lullaby\/\" target=\"_NEW\" rel=\"noopener\">http:\/\/ptd.lu\/headbang-lullaby\/<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-d7d6dec8 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/283400_02.jpg\"><img decoding=\"async\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/283400_02-150x150.jpg\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/283400_03.jpg\"><img decoding=\"async\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/283400_03-150x150.jpg\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/283400_04.jpg\"><img decoding=\"async\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/283400_04-150x150.jpg\" alt=\"\"\/><\/a><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Headbang Lullaby DIRECTOR: Hicham Lasri&nbsp;&nbsp; COUNTRIES: Morocco, France, Qatar, Lebanon&nbsp;&nbsp; YEAR: 2017&nbsp;&nbsp; LANGUAGE(S): Arabic&nbsp;&nbsp; SUBTITLES: English&nbsp;&nbsp; RUNNING TIME: 111 min&nbsp;&nbsp; SECTION: International Competition 2017<\/p>\n","protected":false},"author":1,"featured_media":8285,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[104,311,136],"tags":[109,106],"class_list":["post-26032","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","category-films-2017","category-titel-anzeigen-en","tag-anhar-award-en","tag-international-competition"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/26032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=26032"}],"version-history":[{"count":1,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/26032\/revisions"}],"predecessor-version":[{"id":26034,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/26032\/revisions\/26034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media\/8285"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=26032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=26032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=26032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}