{"id":24936,"date":"2024-06-17T17:40:30","date_gmt":"2024-06-17T15:40:30","guid":{"rendered":"https:\/\/www.nihrff.de\/rift-finfinnee\/"},"modified":"2025-01-16T16:19:14","modified_gmt":"2025-01-16T15:19:14","slug":"films-2022-rift-finfinnee","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2022-rift-finfinnee\/","title":{"rendered":"Rift Finfinnee"},"content":{"rendered":"<figure class=\"wp-block-post-featured-image\"><img decoding=\"async\" width=\"1200\" height=\"670\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/08-03-Rift-Finfinnee\u00a9blinkerfilm.de_01-1200x670.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"object-fit:cover;\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/08-03-Rift-Finfinnee\u00a9blinkerfilm.de_01-1200x670.png 1200w, https:\/\/www.nihrff.de\/wp-content\/uploads\/08-03-Rift-Finfinnee\u00a9blinkerfilm.de_01-400x223.png 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/08-03-Rift-Finfinnee\u00a9blinkerfilm.de_01-300x168.png 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/08-03-Rift-Finfinnee\u00a9blinkerfilm.de_01-1024x572.png 1024w, https:\/\/www.nihrff.de\/wp-content\/uploads\/08-03-Rift-Finfinnee\u00a9blinkerfilm.de_01-768x429.png 768w, https:\/\/www.nihrff.de\/wp-content\/uploads\/08-03-Rift-Finfinnee\u00a9blinkerfilm.de_01-1600x894.png 1600w, https:\/\/www.nihrff.de\/wp-content\/uploads\/08-03-Rift-Finfinnee\u00a9blinkerfilm.de_01-1536x858.png 1536w, https:\/\/www.nihrff.de\/wp-content\/uploads\/08-03-Rift-Finfinnee\u00a9blinkerfilm.de_01-2048x1144.png 2048w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Rift Finfinnee<\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTED BY:<\/strong> Daniel K\u00f6tter <strong>COUNTRIES:<\/strong> Ethiopia, Germany <strong>YEAR:<\/strong> 2020 <strong>LANGUAGE(S):<\/strong> Amharic, Oromiffa <strong>SUBTITLES:<\/strong>GERMAN <strong>RUNTIME:<\/strong> 79 min <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECTION:<\/strong> <a href=\"https:\/\/www.nihrff.de\/en\/weekender-2022\/\" data-type=\"post\" data-id=\"14848\"> Weekender 2022<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Daniel K\u00f6tter&#8217;s film sends the viewer on a journey through the periphery of the Ethiopian capital Addis Ababa in strictly composed images and a soundtrack that interweaves the original sounds in a complex way. Based on geography, architecture and everyday life, an allegorical narrative emerges about the urbanization of a society on the brink of civil war. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rift Finfinnee documents the rural-urban transformation of space and its consequences for coexistence using the example of four settlements in the east of the Ethiopian capital: The village <em>Dingaja,<\/em>the social housing estate <em>Bole Arabsa,<\/em>the middle-class apartment blocks, <em>Ayat Condominiums<\/em> and the gated community, <em>CCD Homes. <\/em>Four different backdrops for Ethiopia&#8217;s profound social transformation, all four within sight of each other, but separated by a deep rift that divides city from non-city, present from projected future, Oromo from Amhara: the gorge of the Akaki River. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A single pedestrian bridge spans the &#8220;rift&#8221;, part of the Great African Rift Valley, which not only represents the geographical and administrative boundary between urban and rural areas, but also the symbolic rift between urban and rural life, which manifests itself in bloody conflicts between the urban Amhara, the politically dominant Tigray and the Oromo farmers.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Rift Finfinnee \/ trailer \/ 24th Ji.hlava IDFF\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/utENlZmMwmk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DANIEL K\u00d6TTER<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Daniel K\u00f6tter is an internationally active filmmaker and music theater director. His works oscillate between different media and institutional contexts and combine experimental film techniques with performative and documentary elements. They have been shown worldwide at numerous film and video art festivals, in galleries, theaters and concert halls. His main works include the music theater trilogies <em>Falsche Arbeit, Falsche Freizeit, Freizeitspektakel<\/em> ( 2008-10), <em>KREDIT RECHT LIEBE<\/em> (2013-16) and STADT LAND FLUSS (2017-19, all with Hannes Seidl), the multi-channel trilogy <em>Arbeit und Freizeit<\/em> (2009-2011) and the film, performance and discourse series <em>state-theatre<\/em>on the conditions of the performative in the cities of Lagos, Tehran, Berlin, Detroit, Beirut, M\u00f6nchengladbach (2009-2014 with Constanze Fischbeck). His extensive film and text work KATALOG (2013) was created in 13 countries around the Mediterranean with a particular interest in spatial practices. Visual research repeatedly takes him to the African continent and the Middle East. In <em>2014-18<\/em>, he worked with curator Jochen Becker (metroZones) and others on the research, exhibition and film project <em>CHINAFRIKA. Under Construction. <\/em> In 2017-20 he made the documentary film trilogy <em>Hashti Tehran<\/em> (2017, 60&#8242;), <em>Desert View<\/em> (2018, 84&#8242;) and <em>Rift Finfinnee <\/em>(2020, 80&#8242;) about urban peripheries in Tehran, Cairo and Addis Ababa. Hashti Tehrangewon the special prize of the German Short Film Award. Daniel K\u00f6tter is currently working on a series of spatial performances and 360\u00b0 films on the landscape and social consequences of extractivism in Germany, West Papua, DR Congo and Estonia under the title landscapes and bodies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong> KREDIT RECHT LIEBE (2013-2016) Katalog (2014) Hashti Tehran (2016) STADT LAND FLUSS (2017 &#8211; 2019) Chinafrika.mobile (2018) Desert View (2018) Yu Gong (2019)<strong> <\/strong> Rift Finfinnee (2021)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCER: <\/strong> Meike Martens <strong>CAMERA: <\/strong>Daniel K\u00f6tter <strong>EDITOR:<\/strong> Daniel K\u00f6tter <strong>MUSIC: <\/strong>Getatchew Merkuria<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCTION:<\/strong> Blinker Film (mm@blinkerfilm.de) <strong>WORLD SALES:<\/strong> Arsenal \u2013 Institut f\u00fcr Film und Videokunst e.V. (distribution@arsenal-berlin.de)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Q&amp;A with Daniel K\u00f6tter (in German)<\/h4>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Regisseur Daniel K\u00f6tter im Filmgespr\u00e4ch \u00fcber seinen Film RIFT FINFINNEE beim NIHRFF-Weekender 2022\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/yrSbEth3prk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rift Finfinnee DIRECTED BY: Daniel K\u00f6tter COUNTRIES: Ethiopia, Germany YEAR: 2020 LANGUAGE(S): Amharic, Oromiffa SUBTITLES:GERMAN RUNTIME: 79 min SECTION: Weekender 2022<\/p>\n","protected":false},"author":13,"featured_media":14891,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[102,295,376],"tags":[326],"class_list":["post-24936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-films-2022","category-weekender-2022-2","tag-weekender-en"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/24936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=24936"}],"version-history":[{"count":3,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/24936\/revisions"}],"predecessor-version":[{"id":28743,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/24936\/revisions\/28743"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media\/14891"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=24936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=24936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=24936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}