{"id":21128,"date":"2023-09-13T23:13:31","date_gmt":"2023-09-13T21:13:31","guid":{"rendered":"https:\/\/www.nihrff.de\/2023-jury\/"},"modified":"2023-09-14T00:46:27","modified_gmt":"2023-09-13T22:46:27","slug":"2023-jury","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/2023-jury\/","title":{"rendered":"2023 Jury"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:6px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-cover alignfull\" style=\"border-style:none;border-width:0px;border-radius:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;min-height:430px;aspect-ratio:unset;\"><img decoding=\"async\" class=\"wp-block-cover__image-background wp-image-29635 size-large\" alt=\"\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/QUEENDOM_Stills__03_webseite-1024x576.webp\" style=\"object-position:54% 59%\" data-object-fit=\"cover\" data-object-position=\"54% 59%\"\/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-base-background-color has-background-dim-0 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\"><\/p>\n<\/div><\/div>\n<\/div>\n\n<h2 class=\"wp-block-heading has-text-align-center has-primary-color has-text-color\">International Jury<\/h2>\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/Ute-Adamczewski-&#xA9;-Matthias-Fetzer-edited-1-scaled.jpg\" alt=\"\" class=\"wp-image-21119\" style=\"width:300px\" width=\"300\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Ute Adamczewski<\/h4>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-211170\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\">Biografie\/Filmografie<\/button><div id=\"ac-211170\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Ute Adamczewski works as a video artist and filmmaker in Berlin. Her video installations have been shown at the Venice Architecture Biennale, the Shanghai Art Biennale and the Pinakothek der Moderne Munich, among others. Her most recent works New Order (2013) and La Ville Radieuse Chinoise  <strong> <\/strong>(2015) were co-produced by KW-Institute for Contemporary Art in Berlin.<strong> <\/strong>Zustand und Gel\u00e4nde is her first documentary film and was awarded the Golden Dove at DOK Leipzig and the ver.di Solidarity Award. At FID Marseille it received the Prix Premier for Best Debut Film, and at Achtung Berlin Festival 2020 it received the Ecumenical Jury Prize. In addition to her work as an artist and filmmaker, Ute Adamczewski teaches as a guest lecturer at the University of Hildesheim in 2021.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Filmography<\/strong><br\/>La Ville Radieuse Chinoise (The Chinese Radiant City) 2015, Neue Ordnung (New Order) 2013, Zustand und Gel\u00e4nde (2019)<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/Lemohang-Jeremiah-Mosese-edited-1.jpg\" alt=\"\" class=\"wp-image-21121\" style=\"width:300px\" width=\"300\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/Lemohang-Jeremiah-Mosese-edited-1.jpg 1200w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Lemohang-Jeremiah-Mosese-edited-1-400x400.jpg 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Lemohang-Jeremiah-Mosese-edited-1-100x100.jpg 100w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Lemohang-Jeremiah-Mosese-edited-1-300x300.jpg 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Lemohang-Jeremiah-Mosese-edited-1-1024x1024.jpg 1024w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Lemohang-Jeremiah-Mosese-edited-1-150x150.jpg 150w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Lemohang-Jeremiah-Mosese-edited-1-768x767.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Lemohang Jeremiah Mosese<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-211171\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\">Biografie\/Filmografie<\/button><div id=\"ac-211171\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Lemohang Jeremiah Mosese is a self-taught filmmaker from Lesotho, based in Berlin. His film MOTHER, I AM SUFFOCATING. THIS IS MY LAST FILM ABOUT YOU won six awards at the Final Cut in Venice workshop and went on to premiere at the 2019 Berlin International Film Festival. He was one of three filmmakers selected for the Biennale College\u2014Cinema lab, with his feature film THIS IS NOT A BURIAL, IT\u2019S A RESSURECTION. Mosese is an alumnus of many programs, including Focus Features\u2019 Africa First and Cin\u00e9fondation\u2019s L\u2019Atelier. THIS IS NOT A BURIAL, IT\u2019S A RESSURECTION won the International Human Rights Film Award Nuremberg 2021.       <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Filmography<\/strong><br\/>Tears of Blood (2007), Loss of Innocence (2008), Mother, I Am Suffocating. This Is My Last Film About You (2019), This Is Not a Burial, It\u2019s a Resurrection (2019)<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-1024x1024.jpg\" alt=\"\" class=\"wp-image-20579\" style=\"width:300px\" width=\"300\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-1024x1024.jpg 1024w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-scaled-400x400.jpg 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-scaled-100x100.jpg 100w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-300x300.jpg 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-150x150.jpg 150w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-768x768.jpg 768w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-1600x1601.jpg 1600w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-1536x1536.jpg 1536w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Claudia-Tosi-edited-2048x2048.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Claudia Tosi<\/h4>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-211172\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\">Biografie\/Filmografie<\/button><div id=\"ac-211172\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Claudia Tosi holds a degree in Philosophy from the University of Bologna. She has worked as a creative documentary filmmaker since 2003. In 2011, she attended EAVE as a writer and in 2012, Eurodoc as a producer. In 2014, she attended IDFA Academy and in 2015, Berlinale Talents to develop <em>I Had a Dream<\/em> as part of Doc Station Platform.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Filmography<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mostar United (2008, NIHRFF 2009), The Perfect Circle (2014), Verso Casa (2016), I Had a Dream (2018)<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>International Jury Ute Adamczewski Lemohang Jeremiah Mosese Claudia Tosi<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-21128","post","type-post","status-publish","format-standard","hentry","category-archive"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/21128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=21128"}],"version-history":[{"count":1,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/21128\/revisions"}],"predecessor-version":[{"id":21129,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/21128\/revisions\/21129"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=21128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=21128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=21128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}