{"id":20027,"date":"2023-09-07T16:28:12","date_gmt":"2023-09-07T14:28:12","guid":{"rendered":"https:\/\/www.nihrff.de\/the-walls-of-bergamo\/"},"modified":"2024-06-15T14:25:41","modified_gmt":"2024-06-15T12:25:41","slug":"the-walls-of-bergamo","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/the-walls-of-bergamo\/","title":{"rendered":"The Walls of Bergamo"},"content":{"rendered":"<div id=\"gutenslider-5vxle5nn8\" class=\"wp-block-eedee-block-gutenslider gs-frontend content-change alignfull arrow-style-1 arrow-position-sides arrow-mb-none arrows-lg arrows-md arrows-sm dot-style-1 dots-lg-none dots-md-none dots-sm-none dot-position-bottom is-position-center-center mb-none wrap-auto-height\" data-parallax-direction=\"down\" data-parallax-amount=\"1.3\" data-lg-transition=\"lg-slide\" data-hash=\"\" ><div class=\"eedee-swiper-outer\" style=\"--gutenslider-min-height: 48vh;--gutenslider-arrow-size: 30px;--gutenslider-dot-size: 25px;--gutenslider-arrow-color: 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https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Poster_italienisch_FT_28x40-1434x2048.jpg 1434w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Poster_italienisch_FT_28x40-scaled.jpg 1792w\" sizes=\"(max-width: 717px) 100vw, 717px\" \/><div class=\"eedee-background-div__overlay\" style=\"opacity:1;\"><\/div><\/div><div class=\"slide-content\">\n\n<p class=\"has-text-align-center gutenslider-content-initial has-larger-font-size wp-block-paragraph\"><\/p>\n\n<\/div><\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<\/div><\/div><button class=\"eedee-gutenslider-nav eedee-gutenslider-prev\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\"><circle class=\"bg\" cx=\"13\" cy=\"12\" r=\"11\" \/><path fill=\"none\" d=\"M0 0h24v24H0z\"\/><path class=\"arrow\" d=\"M10.828 12l4.95 4.95-1.414 1.414L8 12l6.364-6.364 1.414 1.414z\"\/><\/svg><\/button><button class=\"eedee-gutenslider-nav eedee-gutenslider-next\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\"><circle class=\"bg\" cx=\"11\" cy=\"12\" r=\"11\" \/><path fill=\"none\" d=\"M0 0h24v24H0z\"\/><path class=\"arrow\" d=\"M13.172 12l-4.95-4.95 1.414-1.414L16 12l-6.364 6.364-1.414-1.414z\"\/><\/svg><\/button><div class=\"eedee-gutenslider-pagination\"><\/div><div class=\"gutenslider-divider-bottom \" style=\"color:#fff;\"><\/div><\/div><\/div>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h2 class=\"wp-block-heading has-text-align-center has-primary-color has-text-color\">The Walls of Bergamo<\/h2>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Le Mura di Bergamo<\/h3>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/www.nihrff.de\/en\/films-2023-international-forum\/\">International Forum 2023<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>COUNTRY:<\/strong> Italien <strong>YEAR:<\/strong> 2023 <strong>RUNTIME:<\/strong> 137 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTED BY:<\/strong> Stefano Savona<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LANGUAGE(S):<\/strong> Italian<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SUBTITLES:<\/strong> English<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>SCRIPT:<\/strong> Stefano Savona<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCED BY:<\/strong> Andrea Iervolino, Monika Bacardi, Ferdinando Dell&#8217;Omo, Danielle Maloni<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CINEMATOGRAPHY:<\/strong> Stefano Savona<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EDITED BY:<\/strong> Francesca Sofia Allegra<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCORE:<\/strong> Giulia Tagliavia<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center has-primary-color has-text-color\"><strong>SCREENINGS<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-d7d6dec8 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-a768b15a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/booking.cinetixx.de\/frontend\/#\/show\/1604033302\/2857437529\">1.10., 15:30, Festsaal | Tickets<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-a768b15a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/booking.cinetixx.de\/frontend\/#\/show\/1604033302\/2857414002\"> 4.10., 20:30, kinoeins | Tickets<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center has-primary-color has-text-color\"><strong>SYNOPSIS<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Bergamo, March 2020. The city, within its walls, is a sick body. It is a collection of cells, of tissues, of organs that can no longer communicate. The streets have emptied, exchanges zeroed out, encounters forbidden. Disconnected from others each body is alone within its walls. Every image, every memory is a fragile fragment of the mosaic that until yesterday made up the city. In the hospital, in the darkness of the night, there are the paralyzed bodies of those who can no longer breathe. Doctors and nurses are the janitors of these bodies to be consoled, to be resuscitated, to be sedated, to be disposed of, bodies that hold within them fragments of memories that emerge from the darkness of consciousness. After the nightmares of this endless night, the survivors awaken in an unfamiliar city. The desire to return home is strong but equally strong is the terror of not finding those they left behind. They cross glances, searching the faces behind the masks for confrontation and comfort. In their silences there is a very strong need to find the words to begin to share what has happened to each of them, gratitude and guilt for having survived. The body of the city is a devastated organism trying to fight back. Doctors, nurses, patients, volunteers, and even those who have not directly experienced the pain of illness, all seek their own role in the city&#8217;s healing process. Collecting and telling the stories of those who are no longer there becomes a way to reframe private and collective mourning and to reason about the need for a new rituality of death. THE WALLS OF BERGAMO is a film that makes connections between memory and the future, to accompany this collective, along the early stages of the patient work of recomposing the intimate, familial and social fabric that the pandemic has torn apart. The protagonist of this story is the city, a social body that, like any living organism, consists first and foremost of the infinite connections between its parts. The words, looks, gestures, and silences that this narrative bears witness to are an attempt to account for some of these connections, with the hope that, by making them visible, the cinematic narrative can help consolidate them.    <\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LE MURA DI BERGAMO Trailer ENG\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/HpbzxJX7dZ4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"2560\" height=\"2560\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-scaled.jpg\" alt=\"\" class=\"wp-image-18488\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-scaled.jpg 2560w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-scaled-400x400.jpg 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-scaled-100x100.jpg 100w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-300x300.jpg 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-1024x1024.jpg 1024w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-150x150.jpg 150w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-768x768.jpg 768w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-1600x1600.jpg 1600w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-1536x1536.jpg 1536w, https:\/\/www.nihrff.de\/wp-content\/uploads\/WALLS_OF_BERGAMO_Regiebild_Stefano-Savona_FT-edited-2048x2048.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading has-primary-color has-text-color\">Stefano Savona<\/h4>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-200270\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Biography<\/strong><\/button><div id=\"ac-200270\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Stefano Salvona, born in Palermo in 1969, began working as a photographer in 1995. In 2010, he co-founded the Picofilms production company, Paris, alongside Penelope Bortoluzzi. He has been filming documentaries since the late 1990s, which have won numerous awards at international film festivals.  <\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-200271\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Filmography<\/strong><\/button><div id=\"ac-200271\" class=\"c-accordion__content\">\n<p class=\"wp-block-paragraph\">Siciliatunisia (2000), Un Confine di Specchi (2002), Primavera in Kurdistan (2006), Il Tuffo della Rondine (2008), Cast Lead (2009), Spezzacatene (2010), Palazzo delle Aquile (2011), Tahrir &#8211; Liberation Square (2011), Samouni Road (2018), The Walls of Bergamo (2023)<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-461897f4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"> <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>PRODUCTION: <\/strong>ILBE Group Film Productions (segreteria@aifilm.it)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WORLD SALES:<\/strong> Fandango Sales (fandango@fandango.it)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>COUTNRY: Italy YEAR: 2023 RUNTIME: 137 min DIRECTED BY: Stefano Savona LANGUAGE(S): Italian SUBTITLES: English<\/p>\n","protected":false},"author":13,"featured_media":19196,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[197],"tags":[107,228],"class_list":["post-20027","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films-2023","tag-international-forum-en","tag-w-en"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/20027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=20027"}],"version-history":[{"count":4,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/20027\/revisions"}],"predecessor-version":[{"id":24599,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/20027\/revisions\/24599"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media\/19196"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=20027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=20027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=20027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}