{"id":12318,"date":"2021-09-06T18:39:41","date_gmt":"2021-09-06T16:39:41","guid":{"rendered":"https:\/\/www.nihrff.de\/i-am-not-your-negro\/"},"modified":"2024-06-17T11:15:15","modified_gmt":"2024-06-17T09:15:15","slug":"i-am-not-your-negro","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/i-am-not-your-negro\/","title":{"rendered":"I am not your Negro"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1772\" height=\"997\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/Im_not_your_Negro_Filmstill_01-edited-5.jpg\" alt=\"\" class=\"wp-image-24806\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/Im_not_your_Negro_Filmstill_01-edited-5.jpg 1772w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Im_not_your_Negro_Filmstill_01-edited-5-400x225.jpg 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Im_not_your_Negro_Filmstill_01-edited-5-300x169.jpg 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Im_not_your_Negro_Filmstill_01-edited-5-1024x576.jpg 1024w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Im_not_your_Negro_Filmstill_01-edited-5-768x432.jpg 768w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Im_not_your_Negro_Filmstill_01-edited-5-50x28.jpg 50w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Im_not_your_Negro_Filmstill_01-edited-5-1600x900.jpg 1600w, https:\/\/www.nihrff.de\/wp-content\/uploads\/Im_not_your_Negro_Filmstill_01-edited-5-1536x864.jpg 1536w\" sizes=\"(max-width: 1772px) 100vw, 1772px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center festival\">I am not your Negro<\/h3>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">I am not your Negro<\/h4>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTED BY:<\/strong> Raoul Peck <strong>COUNTRY:<\/strong> United States, France, Belgium, Switzerland <strong>YEAR:<\/strong> 2016 <strong>SPOKEN LANGUAGE(S):<\/strong> English <strong>SUBTITLES:<\/strong> German <strong>RUNNING TIME:<\/strong> 93 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECTION: <\/strong><a href=\"https:\/\/www.nihrff.de\/en\/2021-previews-im-cinecitta\/\">Previews at Cinecitt\u00e0 2021<\/a><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCREENINGS<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.cinecitta.de\/de\/I-am-not-your-negro-9292.html\" target=\"_blank\" rel=\"noreferrer noopener\"> 03.10., 20:30, Cinecitt\u00e0, Kino 9 | Buy tickets<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SYNOPSIS<\/strong><br>In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successiveassassinations of three of his close friends\u2014Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin\u2019s death in 1987, he left behind only thirty completed pages of his<br>manuscript. Now, in his incendiary new documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin\u2019s original words and flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>BIOGRAPHY<\/strong><br>Born 1953 in Port-au-Prince, Haiti, Peck lived for a time in Zaire and worked as a journalist and photographer. He later graduated from the Berlin Film Academy in 1988, made a dozen short and features from his Velvet Productions, based in France and Germany, and served until recently as the Minister of Culture of Haiti. A book of screenplays and images from four of Peck&#8217;s major features and documentary films, called <em>Stolen Images<\/em>, was published in February 2012 by Seven Stories Press. He has been Chairman of La F\u00e9mis, the French state film school, since January 2010. In 2012, he was named as a member of the Jury for the Main Competition at the 2012 Cannes Film Festival. He won the Best Documentary prize at the Trinidad &amp; Tobago Film Festival in 2013 for <em>Fatal Assistance<\/em>. His documentary film <em>I Am Not Your Negro<\/em> (2016), about the life of James Baldwin and race relations in the United States, was nominated for an Oscar in January 2017.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong><br>Legut (1983), Merry Christmas Deutschland (1984), Haitian Corner (1988), Lumumba: Death of the Prophet (1990), Man By The Shore (1993), Desounen: Dialogue with Death (1994), Lumumba (2000), Profit &amp; Nothing But! Or Impolite Thoughts on the Class Struggle (2001), Sometimes in April (2005), Moloch Tropical (2009), Assistance mortelle (2013), Murder in Pacot (2014), I Am Not Your Negro (2016), The Young Karl Marx (2017)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCRIPT:<\/strong> Raoul Peck, James Baldwin <strong>PRODUCER:<\/strong> R\u00e9mi Grellety, Raoul Peck, H\u00e9bert Peck <strong>CINEMATOGRAPHY:<\/strong> Henry Adebonojo, Bill Ross, Turner Ross <strong>EDITOR:<\/strong> Alexandra Strauss <strong>SCORE:<\/strong> Alexei Aigui<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>PRODUCTION COMPANY:<\/strong><\/strong> Art\u00e9mis Productions (info@artemisproductions.com), Close Up Films, Velvet Film (contact@velvet-film.com<strong>) <\/strong>W<strong><strong>ORLD SALES:<\/strong> <\/strong>Wide House (festivals@widehouse.org)<strong>&nbsp;<\/strong> <strong>GERMAN DISTRIBUTOR<\/strong> Salzgeber &amp; Co. 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