{"id":10440,"date":"2019-09-17T08:31:55","date_gmt":"2019-09-17T06:31:55","guid":{"rendered":"http:\/\/en.nihrff.de\/6045-revision-v1\/"},"modified":"2024-06-26T15:45:21","modified_gmt":"2024-06-26T13:45:21","slug":"films-2019-lemebel","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2019-lemebel\/","title":{"rendered":"Lemebel"},"content":{"rendered":"\n
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Lemebel<\/h3>\n\n\n\n

DIRECTOR(S): <\/strong>Joanna Reposi Garibaldi\u00a0\u00a0 COUNTRIES: <\/strong>Chile, Colombia\u00a0\u00a0 YEAR: <\/strong>2019\u00a0\u00a0 LANGUAGE(S): <\/strong>Spanish\u00a0\u00a0 SUBTITLES: <\/strong>English\u00a0\u00a0 RUNNING TIME: <\/strong>96 min<\/p>\n\n\n\n

SECTION: <\/strong>International Forum 2019<\/a><\/p>\n\n\n\n\n\n\n\n

SCREENINGS <\/strong><\/p>\n\n\n\n

Friday, 04.10., 9.15 pm, kinoeins
Wednesday, 09.10., 4.30 pm, kinoeins<\/p>\n\n\n\n

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SYNOPSIS<\/strong><\/p>\n\n\n\n

Pedro Lemebel\u2019s sharp-tongued, poetic texts and provocative performances made him one of South America\u2019s most important contemporary artists. In dictatorial Chile under Pinochet, Lemebel expressed things that only few dared to say. Even for the country\u2019s left-wing opposition, his camp, eccentric appearances made him an awkward figure as he held up the mirror to their own machismo and homophobia. Loud and open, he embodied and propagated an uncomfortable gay identity and vehemently criticised the desire of some \u2018gays\u2019 to be assimilated into a heteronormative society.
Joanna Reposi Garibaldi uses countless slides and video clips to shape this essay-like memento which is multilayered in both its visuals and its content and possesses a subtle sound design. She has enhanced it with intimate recordings and interviews. By projecting images of Lemebel\u2019s performances onto public buildings, she not only underscores their character as interventions in public spaces, but also creates unusual additional visual levels for her film. LEMEBEL <\/span><\/em>portrays a tireless fighter who continued to speak out right up until the end of his life. (Berlinale 2019)<\/span><\/p>\n\n\n\n

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