{"id":10432,"date":"2019-09-17T08:31:21","date_gmt":"2019-09-17T06:31:21","guid":{"rendered":"http:\/\/en.nihrff.de\/6037-revision-v1\/"},"modified":"2024-06-26T14:48:38","modified_gmt":"2024-06-26T12:48:38","slug":"films-2019-homogenous-empty-time","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2019-homogenous-empty-time\/","title":{"rendered":"Homogenous, Empty Time"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/488877_01.jpg\" alt=\"\" class=\"wp-image-6434\" srcset=\"https:\/\/www.nihrff.de\/wp-content\/uploads\/488877_01.jpg 1000w, https:\/\/www.nihrff.de\/wp-content\/uploads\/488877_01-400x225.jpg 400w, https:\/\/www.nihrff.de\/wp-content\/uploads\/488877_01-300x169.jpg 300w, https:\/\/www.nihrff.de\/wp-content\/uploads\/488877_01-768x432.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Homogeneous, Empty Time<\/h3>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Soon-ya kal<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DIRECTOR(S): <\/strong>Thunska Pansittivorakul, Harit Srikhao\u00a0\u00a0 <strong>COUNTRY: <\/strong>Thailand\u00a0\u00a0 <strong>YEAR: <\/strong>2017\u00a0\u00a0 <strong>LANGUAGE(S): <\/strong>Thai\u00a0\u00a0 <strong>SUBTITLES: <\/strong>English\u00a0\u00a0 <strong>RUNNING TIME: <\/strong>103 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECTION: <\/strong><a href=\"https:\/\/www.nihrff.de\/en\/2019-international-forum\">International Forum 2019<\/a><\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SCREENINGS <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Monday, 07.10., 3.30 pm, kinoeins<br>Tuesday, 08.10., 8.00 pm, kinoeins<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SYNOPSIS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cRuling the country is for soldiers, not civilians\u201d is a recurring statement in Thunska Pansittivorakul\u2019s und Harit Srikhao\u2019s documentary about the rise of nationalism in Thailand. The film\u2019s title is a reference to Walter Benjamin\u2019s notion that nationalist identities always develop in \u201cempty time\u201d, where people share a \u201chomogeneous consciousness\u201d. Without commentary, the film traces the causes of rising nationalism in Thailand. The filmmakers shot HOMOGENOUS, EMPTY TIME between the 2014 military coup and the death of King Bhumibol Adulyadej in October 2016, as the military leaders consolidated their grip on society and jailed countless political opponents. Different episodes shed light on various facets of Thai and Buddhist nationalism as practiced by the clergy and the boundless adoration of the king. Young men in boarding schools and military academies are drilled for their future tasks. Their conversations reveal chauvinistic and nationalist ideologies. They are opposed by civil society activists whose room for maneuver is increasingly narrow.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Homogeneous Empty Time Trailer | SGIFF 2017\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/n07ouT5tQCM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>THUNSKA PANSITTIVORAKUL<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\">Thunska Pansittivorakul was born in 1973 in Bangkok, Thailand, and graduated in Art Education from Bangkok University. His second feature-length documentary, <em style=\"mso-bidi-font-style: normal;\">Happy Berry<\/em>, won the Grand Prize at the 4th Taiwan International Documentary Festival in 2004. In 2007, he received the Silpathorn Award from the The Ministry of Culture&#8217;s Office of Contemporary Arts. In 2012, he founded the production company Sleep of Reason Films. He also teaches at the department of film at Bangkok University. His first fiction film, <em style=\"mso-bidi-font-style: normal;\">Supernatural<\/em> (2014), had its world premiere at IFFR. He collaborated with Harit Srikhao on the documentaries <em style=\"mso-bidi-font-style: normal;\">sPACEtIME <\/em>and <em style=\"mso-bidi-font-style: normal;\">Homogeneous, Empty Time<\/em><strong style=\"mso-bidi-font-weight: normal;\">.<\/strong><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Voodoo Girls<\/em> (2002), <em>Happy Berry<\/em> (2004), <em>This Area Is Under Quarantine<\/em> (2009), <em>Reincarnate<\/em> (2010), <em>The Terrorists<\/em> (2011), <em>Supernatural<\/em> (2014),<em> sPACEtIME<\/em> (2015), <em>Homogeneous, Empty Time<\/em> (2017)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HARIT SRIKHAO<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\">Harit Srikhao was born in Thailand in 1995. He first started playing with cameras at the age of thirteen and was selected to attend the Angkor Photo Workshop by Antoine D&#8217;Agata, a renowned French photographer, at age 16. He combines documentary and fiction photography, often with the theme of a broken childhood. Srikhao\u2019s work has been exhibited nationally and internationally. He collaborated with Thunska Pansittivorakul on the documentaries <em style=\"mso-bidi-font-style: normal;\">sPACEtIME<\/em> (2015), Srikhao\u2019s debut film, and <em style=\"mso-bidi-font-style: normal;\">Homogeneous, Empty Time<\/em>.<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAPHY<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FILMOGRAFIE<\/strong><br><em>sPACEtIME<\/em> (2015), <em>Homogeneous, Empty Time<\/em> (2017)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCERS: <\/strong>Thunska Pansittivorakul, J\u00fcrgen Br\u00fcning\u00a0\u00a0 <strong>CAMERA: <\/strong>Harit Srikhao, Watcharapol Paksri, Suppakit Sritrakul, Warat Poonyasiri, Itdhi Phanmanee, Phassarawin Kulsomboon\u00a0\u00a0 <strong>EDITOR: <\/strong>Thunska Pansittivorakul\u00a0\u00a0 <strong>MUSIC: <\/strong>Chom Chumkasian<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRODUCTION: <\/strong>Sleep of Reason Films, J\u00fcrgen Br\u00fcning Filmproduktion\u00a0\u00a0 <strong>WORLD SALES: <\/strong>J\u00fcrgen Br\u00fcning, Berlin Collection, J\u00fcrgen Br\u00fcning Filmproduktion\u00a0\u00a0 <strong>GERMAN DISTRIBUTOR: <\/strong>J\u00fcrgen Br\u00fcning Filmproduktion<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div id=\"gutenslider-bmusg1bnw\" class=\"wp-block-eedee-block-gutenslider gs-frontend content-change alignnone arrow-style-1 arrow-position-sides arrow-mb-none arrows-lg arrows-md arrows-sm dot-style-1 dots-lg dots-md dots-sm dot-position-bottom is-position-center-center mb-none wrap-auto-height\" data-parallax-direction=\"down\" data-parallax-amount=\"1.3\" data-lg-transition=\"lg-slide\" data-hash=\"\" ><div class=\"eedee-swiper-outer\" style=\"--gutenslider-min-height: 60vh;--gutenslider-arrow-size: 30px;--gutenslider-dot-size: 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