{"id":10416,"date":"2019-09-17T08:29:51","date_gmt":"2019-09-17T06:29:51","guid":{"rendered":"http:\/\/en.nihrff.de\/6019-revision-v1\/"},"modified":"2024-06-21T10:34:54","modified_gmt":"2024-06-21T08:34:54","slug":"films-2019-cut-out","status":"publish","type":"post","link":"https:\/\/www.nihrff.de\/en\/films-2019-cut-out\/","title":{"rendered":"cut-out"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

cut-out<\/h3>\n\n\n\n

DIRECTOR(S): <\/strong>belit sa\u011f\u00a0\u00a0 COUNTRY: <\/strong>Netherlands\u00a0\u00a0 YEAR: <\/strong>2018\u00a0\u00a0 LANGUAGE: <\/strong>Turkish\u00a0\u00a0 SUBTITLES: <\/strong>English\u00a0\u00a0 RUNNING TIME: <\/strong>4 min<\/p>\n\n\n\n

SECTION: <\/strong>International Forum 2019<\/a><\/p>\n\n\n\n\n\n\n\n

SCREENINGS <\/strong>
Sunday, 06.10., 5.15 pm, kommkino
Monday, 07.10., 8.15 pm, Caritas-Pirckheimer-Haus<\/p>\n\n\n\n

<\/div>\n\n\n\n

SYNOPSIS<\/strong><\/p>\n\n\n\n

It wasn\u2019t until 2011, when the last surviving member of the National Socialist Underground (NSU) was arrested, that it became clear what acts of terror this organization had committed. In addition to 14 bank robberies and three bombings, the extreme-right NSU had systematically murdered 10 German citizens, all of whom had an immigrant background. Police, German intelligence agencies, and the media turned a blind eye and treated the crimes as normal homicides, often turning the victims into perpetrators by assuming organized crime backgrounds.
Artist belit sa\u011f attempts to give the victims back the identity that had been taken from them. In CUT-OUT<\/em>,\u00a0<\/em>she presents them as neutrally as possible, with factual descriptions of their passport photographs. In the process, we learn that this was violence motivated by racism, a fact that has long been denied.<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n

belit sa\u011f<\/strong><\/p>\n\n\n\n

belit sa\u011f was born in Turkey in 1980 and is a videomaker and visual artist living in Amsterdam. She studied Mathematics in Ankara before moving to the Netherlands and enrolling in the Gerrit Rietveld Academy. She has been involved with numerous video activist collectives in Turkey and has been an artist in residence at the Rijksacademie. Her politically engaged work focuses on the manipulation of media images, and has been presented in art spaces and film festivals including Toronto\/Rotterdam\/San Francisco International Film Festival, Eye Filmmuseum, Amsterdam, MOCA, Taipei and T\u00fct\u00fcn Deposu, Istanbul.<\/span><\/p>\n\n\n\n

FILMOGRAPHY<\/strong><\/p>\n\n\n\n

And the Image Gazes Back <\/em>(2014), What a Beautiful Voice, Act 1 <\/em>(2015), My Camera Seems to Recognize People <\/em>(2015), Eyl\u00fcl \u2013 Ekim 2015, Cizre\/Sept. \u2013 Oct. 2015, Cizre <\/em>(2015), A Yhan and Me <\/em>(2016), Disruption <\/em>(2016), Grain <\/em>(2016), If You Say It Forty Times\u2026 <\/em>(2017), cut-out <\/em>(2018), what remains <\/em>(2019)<\/p>\n\n\n\n

<\/div>\n\n\n\n

PRODUCER: <\/strong>belit sa\u011f\u00a0 EDITOR: <\/strong>belit sa\u011f\u00a0\u00a0<\/p>\n\n\n\n

WORLD SALES: <\/strong>LIMA Amsterdam\u00a0\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

cut-out DIRECTOR(S): belit sa\u011f\u00a0\u00a0 COUNTRY: Netherlands\u00a0\u00a0 YEAR: 2018\u00a0\u00a0 LANGUAGE: Turkish\u00a0\u00a0 SUBTITLES: English\u00a0\u00a0 RUNNING TIME: 4 min SECTION: International Forum 2019<\/p>\n","protected":false},"author":13,"featured_media":8587,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[104,126,136],"tags":[107,122],"class_list":["post-10416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","category-films-2019","category-titel-anzeigen-en","tag-international-forum-en","tag-short-film"],"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/10416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/comments?post=10416"}],"version-history":[{"count":4,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/10416\/revisions"}],"predecessor-version":[{"id":25415,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/posts\/10416\/revisions\/25415"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media\/8587"}],"wp:attachment":[{"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/media?parent=10416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/categories?post=10416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nihrff.de\/en\/wp-json\/wp\/v2\/tags?post=10416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}